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"-Twain. anamorphic effect is used mostly for flash light shots (i'm semi joking).. Cinematography and photography are two-dimensional mediums by definition. Plus, zooms were getting popular. Oh opps. It's like shallow depth of field in movies - really annoying. The signature anamorphic style has been a key motivation behind RED's incorporation of various in-camera and post-production anamorphic tools. Since most digital sensors have a higher aspect ratio than 35 mm film, spherical lenses often record sufficiently wide images with minimal to no cropping. Phones? - Super 35+ coverage - Full Frame - Front Anamorphic design - Anamorphic 1.5X :). So, if your original image measures 4000x3000 pixels, for example, you multiply 4000 pixels by the squeeze factor to get the width the final image should be. These bars simply fill the portion of the screen unused by the film. Sony A7r iv. Yes. Anamorphic lenses capture an elongated horizontal field of view. With this design, the cylindrical squeezing elements are placed at the very rear of lens with a simple "rear anamorphic adapter." The focus system of the original spherical lens remains unchanged, however this design does not produce oval bokeh or the lens flares achievable with "front anamorphic" lenses and you lose about 1.5 stops of light. As a bonus, because the film frame is so small, Leone got the benefit of "small-format deep depth-of-field", which he used extensively: his films are chock-full of scenes shot with wide-angle lenses where everything from a few centimeters to the horizon is in focus. Look at your shirt, glance up at the table, then to the wall. This article discusses the key considerations with anamorphic lenses in the digital era. Anamorphic lenses create an image that fills the film frame/sensor area so all those pixels you paid for are used. Understand that anamorphic lenses are more expensive, but try not to spend too much money until youre sure this type of lens is for you. The Laowa 1.33x Rear Anamorphic Adapter attached to Venus Optics Laowa OOOM 25- 100mm T2.8 cine lens. The quality remains whether capturing a large landscape or zooming in on someones face, so long as youre within the minimum focusing distance. Laowa has generally been very innovative, and I'm sure they have some reason to make this, but as >4K video resolution becomes commonly available, I'm not sure the anamorphic adapter is really a big win over cropping. This comparison also shows the shape of out-of-focus highlights from the same scene rendered quite differently. Front anamorphic lenses originally purposed for . Canon files patent application for a liquid-cooled camera system to prevent overheating, Laowa announces Proteus 2x anamorphic lenses for Super35 sensors, Great Joy 85mm 1.8x anamorphic lens mini review, Great Joy 35mm T2.9 1.8x anamorphic lens mini review, OM System M. Zuiko 90mm F3.5 Macro Sample Gallery, Fujifilm X-T5 production sample gallery (DPReview TV), DPReview TV: Sony 50mm F1.4 GM vs Sigma 50mm F1.4 DG DN Art, The best cameras for family and friends photos in 2022, Best affordable cameras for sports and action in 2022. Thus, a 20-100mm zoom becomes a 40-200mm zoom.A 200mm prime would be labelled a 400mm.When it comes to depth of field, the out of focus highlights, bokeh, will take on a rectangular shape with rear anamorphics. Especially at 24fps, classic frame rate. The final look is of a 56mm lens that exhibits depth-of-field characteristics similar to those we would expect from a 100mm lens. These flares can create visual interest on the screen when used correctly. if(typeof ez_ad_units != 'undefined'){ez_ad_units.push([[300,250],'4kshooters_net-box-3','ezslot_2',158,'0','0'])};__ez_fad_position('div-gpt-ad-4kshooters_net-box-3-0');If you want to start using anamorphic glass, you only have a few options. Taking a look at cinema history, rear anamorphics were actually developed because they dont create the anamorphic look. Why would you want that? I love the look. Can you say 'computational photography'?Of course you can.So why don't you? An anamorphic lens has uniquely shaped elements that create an unusual oval bokeh, instead of the round one created by most lenses. A spherical lens is more common and projects unaltered circular images to the sensor. Comments on this article may be moderated before they are made public. Usable area is 184 mm, Note: Above examples depict the RED DRAGON, Selecting an Anamorphic Resolution Setting In-Camera, Selecting Anamorphic Viewing Within REDCINE-X. Using your smartphone in a well-lit area will always boost image quality. $7.99. The look is special and it can add something very substantial to the atmosphere of a film. Let's be seriously realistic. Then again, it will give a more "normal" workflow, and video folks care about that a lot. Tito's Channel: https://tinyurl.com/yyqz2p5c Tito's blog: http://www.tferradans.com/blog/I just found a cheap Anamorp. This again depends on the design of the lens. The difference is more pronounced when using lenses with a greater than 1.33x anamorphic squeeze factor. no matter if the product is a paper windmill or a car or whatever. - Super 35+ coverage - Full Frame - Front Anamorphic design - Anamorphic 1.5X You would think it would be easier just to crop a normal picture to make a letterbox format than going to all the bother of getting special lenses and youd be right. Switching to 55 and 70mm solved that problem. An anamorphic lens projects oval-shaped images to the sensor by using optical elements to fit more horizontal data to the scene. The quoted figures for APS-C might be a bit confusing though. This signature anamorphic style has been an important creative tool with several recent digital and film productions. It does give us the angle we'd expect from a 40mm - which is also what we'd get were we to mount a 26mm lens on an APS-C camera. The term Nollywood initially applied to the Nigerian film industry. One could potentially utilize a less common 1.3X anamorphic lens and preserve 95% of the pixels, but the effect would likely be too subtle to justify any added cost or complexity. We recommend that the Anamorphot-50 2.0x be used with lenses that have a front element that is physically no larger than 50mm in diameter. Hit 'OK' and the image stretches to the right anamorphic format. (4) Add to Cart. In still photography de-squeezing a picture is pretty straight forward. 1. Above you can see how the same scene is reproduced differently by a normal spherical lens and an anamorphic lens of the same focal length. Using an anamorphic lens often produces an unnecessarily high aspect ratio, in which case the sides of the image aren't utilized and horizontal resolution is reduced. . Enjoyed reading the article.Real good.Thanks. I would also point out that it is much easier to compose through-the-lens than it is to crop in post - you may find you didn't leave enough room for the crop while taking the picture. It does actually modify your effective focal length and aperture. For easier on-set visualization, a de-squeeze feature is enabled by default in the viewfinder and LCD preview screens when an anamorphic resolution is selected: Within REDCINE-X PRO, images can be defined as anamorphic within the viewer window to avoid having them appear squished. Thats not true at all. With digital, the difference is much subtler, and with RED is equivalent to going from a 1.25X to a 1X crop factor: The unique design of anamorphic lenses also has implications. Maybe the rare xperia 1, but again nope. Which focal length is used for the nominal number on an anamorphic lens, the unaffected vertical FL or the squeezed horizontal FL? A 1:33 rear anamorphic adaptor and a 1:33 front anamorphic adaptor as a sandwich around a prime lens. Thanks for the good work! To do this a cylindrical element is used that has the shape of a section cut from a tube it is bent in only one plane rather than being convex all round as a normal lens would be. Educate me/us. Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio.It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen (not to be confused with anamorphic . The captured image is then stretched horizontally in post-production or when projects to appear as intended. Touring the world with friends one mile and pub at a time; is heavenly gondola open today. Cinematographers should experiment with different lenses to determine which works best for their needs. The Laowa 1.33x Rear Anamorphic Adapter does what its name suggestsit creates a 2:1 wide screen squeeze that fits a 2.35:1 cinematic ratio onto a 16:9 sensor, which can then be desqueezed in post-production for a more cinematic look. Signup for our newsletter to get notified about our next ride. Its really about getting the aspect ratio with current optics. Venus Optics has also added a back-focus-adjustment to the adapter so those changes can be made on-the-fly without the need to shims. Smartphone users must get closer to their subjects than people with video cameras, especially to make bokeh or control the depth of field. While these are the main advantages of using an anamorphic lens, some other considerations may sway your choice. For example, the Full Format RED DRAGON resolution is 6144x3160, which has an aspect ratio of 1.94:1. I like that you did not hesitate to add an image from a cellphone (Iphone 11 Pro) to demonstrate anamorphic photography. They were primarily created so that a wider range of aspect ratios could fit within a standard film frame, but since then, cinematographers have become accustomed to their unique look. It uses all eight million of the sensor's pixels. This 65mm prime lens features a front anamorphic element with a 1.8x squeeze, and it is suitable for use on cameras such as the Panasonic GH5, the Z CAM E2, or the Blackmagic Pocket Cinema Camera 4K and 6K. A standard is a standard for a good reason. It consists of a Rapido front and rear metal jackets, Contax Zeiss 50mm f1.4 taking lens, Cinel. International Organization for Standardization, abbreviated as ISO, is one of the three standards in photography. Be sure to add one to your order. So hey! They say "it provides the viewing angle of a 26.3mm lens when used on an APS-C sensor". Being something manufactured in China means absolutely nothing in nowadays. I remember back in the day hearing that some of the Spag westerns of Sergio Lione were shot this way to give atmosphere. Anything beyond 16:9 is rather useless. Though, since its purely optical this adapter can work with a variety of PL-mount lenses. In fact, horizontal resolution can be reduced with an anamorphic lens as the aspect ratio is too high. Anamorphic lenses used the entire 35 mm frame. Get Instant Access! The difference is simply that a viewer watching a movie can choose to look at something in the frame that the cinematographer didnt focus on. The cropping required is, ironically, made much easier and less damaging to the image by digital post-production." Most of the characteristic look of anamorphic lenses is associated with the "front-mounted" type, where the aspect ratio compression is done by a front lens element. In production there are typically two classes of lenses anamorphic and spherical. Since spherical lenses are more common, the available combinations of focal length, T-stop, quality and cost are also more diverse. So, popular aspect ratios these days include 2.35:1, 2.39:1 and 2.40:1, though the official standard according to the Society of Motion Picture and Television Engineers (SMPTE) specifies 2.39:1 for widescreen projection. Watch it in Action Cinematic 4K Footage WATCH THE VIDEO Shooting Anamorphic Photography Regardless of whether you purchase only one or two, the adapters will come in a protective plastic case with custom foam padding. With this design, the cylindrical squeezing elements are placed at the very rear of lens with a simple "rear anamorphic adapter." The focus system of the original spherical lens remains unchanged, however this design does not produce oval bokeh or the lens flares achievable with "front anamorphic" lenses and you lose about 1.5 stops of light. That cylindrical lens is the shape produced when you bend a sheet of paper bowed in the horizontal aspect but still flat in the vertical aspect allowing it to capture a wider field of view horizontally than it does vertically. These highlights a street light in the distance for example would reproduce bright discs in pictures taken with a normal spherical lens, but when shot using an anamorphic lens they appear as ovals. The Anamorphot-50 2.0x supports MFT and APS-C format sensors with focal lengths of at least 35mm (MFT) and 50mm (APS-C . Venus Optics says the 1.4x adapter will reduce light by one stop and increase the focal length of the attached lens by 1.4x. Here you can see the light between the trees which would usually appear round takes on an upright oval shape. Dead. $ - $ 1,080.00. A very important question was asked in this article: 'Was it REALLY worth the effort'? :P To be or not to be manual? Almost no sensor waste and your point. You can do that with your eyes as well, but your brain normally tends to direct your attention to the same thing your eyes are focused on. You really gonna stick this on the back of a Supreme Prime?? You simply multiply the horizontal pixel count by the squeeze factor of the lens. More than a year after first showing off its prototypes, Venus Optics has announced the release of its new Laowa 1.33x Rear Anamorphic Adapter and Laowa 1.4x Full Frame Expander, both of which are PL to PL adapters. To produce 2.40:1 wide format imagery, one could crop the top and bottom of the frame using the "6K WS" setting, in which case 81% of the pixels would be preserved. Become familiar with anamorphic kits and how theyll work with your camera. tagor villas ritz carlton, abama; daredevil main villains rear anamorphic vs front anamorphic. Compared to the same focal length as the vertical, that squeezes bokeh and makes subjects stand out *less*. These apps remove the compression so users can see what theyre working with more easily. Sirui VENUS Anamorphic FF 75mm T2.9 Overview 1Description 2Full-Frame Coverage 3Anamorphic Field of View 4Anamorphic Effects 5High-Quality Build Cinema Lens Care and Maintenance By Photo's Mary Latvis The Leica L mount 75mm T2.9 Anamorphic 1.6x Lens, from Sirui, fills a theater screen with rich detail, cinematic bokeh, The Sigma-for-Nikon 20mm f1.8 just begins to get an edge vignette. Count the times "anamorphic" appears here: https://www.indiewire.com/2019/11/cameras-lens-2020-oscar-contenders-best-cinematography-1202187839/. All these elements combine to create more dramatic, cinematic-looking footage through an anamorphic lens. In film-based cinema, the ends of a wide format might be cropped from the picture to meet the 2.39:1 requirement, especially when a 2x anamorphic lens is in use, but in digital video, a timeline of any proportions can be created to show a finished product in 3.5:1 if desired. Front anamorphs are more common, but rear anamorphs are also well distributed. On longer focal lengths, and on zoom lenses, a rear anamorphic unit can be fitted. As well as this specific type of flare, light falling on the front element will create an overall flare that in turn can give anamorphic footage a low contrast atmosphere even when contrast is quite high. It must have been some magnificent anamorphic lens and camera that took our school photograph each year, very wide. With anamorphic, 100% of the frame area contributes to the final image. Anamorphic lenses are larger and heavier, which can make them cumbersome on active shoots. The main reason to use anamorphic with digital is for its other effects. You will see a lot of rear anamorphic zooms on the rental market, the Cooke 40-200mm T4.5 for instance, which is a Cooke 20-100mm T3.1 with a rear 2x anamorphic adapter slapped on the back. The most commonly recognized characteristic is a blue streak that shoots across the frame when a point light source is aimed at the camera a car headlight for example. This is a much wider field-of-view than the Academy standard film aspect ratio of 1.375:1. Older lenses tend to flare more easily while newer designs aim for more contrast and allow filters to be used when lower contrast is desirable. And quality with any anamorphic lens post stretching too. Anamorphic lenses capture an extremely wide view without distorting faces, even with extreme closeups. And they are expensive. A 2.35:1 format image shot using the Sirui 35mm F2.8 1.33x anamorphic lens. Apps included with cameras typically require processing. However, the type of anamorphic lens can also be an important factor. That aspect ratio was initially chosen to fit perfectly in 35 mm film. However, they can give film projects a unique look that increases production values and aesthetic appeal. All rights reserved. Anamorphic lenses therefore only improve image quality when a higher aspect ratio is needed than captured by the digital sensor. I guess the Xpan did this for film, the problem being that there was no way to project the images and not many options for producing prints either. Hasselblad fans will recognize the CinemaScope proportions as they are approximately the same as the XPan format that lives on via the 65:24 ratio in the X1D II camera. This is way better than just letterboxing . Look at the slider photo. However, when using the anamorphic adapter you'll lose half a stop of light. The new Arri/Zeiss anamorphics spread the cylinder effect throughout the lens construction, rather than having a specific group of elements to do the job, which allows a degree of control over how dominant the blue streaks will be. Anamorphic lenses help cinematographers capture wider images on movie film than traditional camera lenses. Or, in other words, when imagining the sensor to be cropped vertically or when imagining the sensor to be expanded horizontally? By doing this you are retaining the feel of spherical glass while squeezing more image onto the image sensor. In most cases, you will work with horizontally compressed footage. Adding an anamorphic lens to a drone or cell phone lets modern cinematographers capture more of any scene without moving. A digital camera with a spherical lens captures wide enough footage for many cinematographers, with negligible cropping. An anamorphic lens is designed with additional glass elements that squeeze the image horizontally, allowing filmmakers to capture a wider field of view than the film or digital sensor would ordinarily allow. Sensors are more narrow than wide screens. Anamorphic lenses create blue-colored horizontal or vertical lens flare. In this video I'll assemble my anamorphic setup step by step. Is this name the same as a focal reducer or actually a 1.4x telephoto extender or something else? In the Resize dialogue of your editing software, unlink the horizontal and vertical resolution figures so the aspect ratio can change, and then replace the 4000 with 5320 for the horizontal dimension, keeping the 3000 pixel (vertical) dimension unchanged. Like 3D films that require glasses to view. Even then, cropping this 16:9 image to 2.35:1 will deliver a higher resolution frame than shooting with a 16:9 area of the sensor in 4K 10MP instead of 8MP. Aren't you all ashamed? 3. Shawn studied both cinema and photography with a strong focus on photojournalism and documentary work. Venus Optics notes this adapter doesnt provide exactly the same look as dedicated anamorphic lenses, but will give footage cinematic character. The adapter does reduce incoming light by a half a stop. It is better than nothing, but it also creates different types of flares and out of focus looks. So this is expensive by all accounts, very strange pricing structure. You don't get the distinct "vertical bokeh" or other anamorphic effects. Theres also a sense of cinema about a still shown in anamorphic format, and with the built-in characteristics of an anamorphic lens that inherent atmosphere will feel stronger, making it possible to present movie-stills filled with an implied storyline without actually having to go to the bother of shooting the movie. to provide an easier solution without the compromises. Since the final image has to maintain a standard aspect ratio, pixels from the anamorphic image are interpolated to produce an equivalent spherical image. They did still want to take advantage of the screen real estate. Maybe youve recently watched the most recent installment of The Avengers. In which direction, vertically or horizontally? Use the slider to compare the desqueezed image (L) with the squeezed image (R). Select clips can be shot at faster frame rates and matched down to 24fps for slow motion effects. Otherwise wide format imagery would have left the top and bottom of the frame unused, and required cropping these out using masks in the projector: Anamorphic lenses therefore improved image quality by both enhancing vertical resolution and reducing the appearance of grain. [Near MINT+++] Kowa Prominar Anamorphic 16-H Cine Camera Lens From JAPAN | Cameras & Photo, Lenses & Filters, Lenses | eBay! Lengthy article to cover a simple concept. The other way? However, the advent of the "Super 35" format lessened the difference between spherical and anamorphic lenses, because Super 35 provides more horizontal film area by not recording the audio next to each frame. Laowa has announced available for its new 1.33x Rear Anamorphic Adapter and 1.4x Full Frame Expander Adapter.Both the front and rear of each adapter features a PL mount, letting you add anamorphic capabilities to your PL mount lenses on your PL mount cameras, or expand the field of view of Super 35mm PL mount lenses to cover a full-frame sensor. It also made the cockpit shots possible in Tony Scotts Top Gun (1986) (above), since a 35mm camera would not have fitted in that tiny space with a massive anamorphic lens attached to it. "Key Films: Greystoke (1984) was the first Hollywood film to use the system, and James Cameron was an enthusiastic adopter, first using it on The Abyss (1989). A 2x lens, such as the Cooke 32mm Anamorphic/i would create a 2.66:1 output from the full area of a 4:3 sensor or a 3.5:1 final result from a 16:9 area. 2) LAOWA CINE ANAMORPHIC 35MM T2.4 = 1 SET 3) LAOWA CINE ANAMORPHIC 50MM T2.4 = 1 SET 4) LAOWA EF-PL ADAPTER = 3 5) SCREWDRIVER ACCESSORY 6) HARD WATERPROOF CASE. With more dramatic anamorphic lenses the effect is more pronounced too, so a 1.8x which would give that 100mm the view of a 56mm. The audience doesn't give a rats patoody how many hoops you had to jump thru because it's CONTENT not minimalistic hocus pocus that wins Academy Awards. That is why horror movies, A medium wide shot, MWS, or MLS is a type of camera shot that shows a location and the character or characters filmed there. Comments on this article may be moderated before they are made public. It adds special characters in bokeh and flares on ordinary spherical lenses to become more cinematic. When pairing with the Laowa OOOM 25-100mm T2.9 Cine lens, the Laowa 1.33X Rear Anamorphic Adapter allows expanding your filming canvas to a 2.35:1 cinematic widescreen ratio in a 16:9 sensor while retaining the resolution. Or does an anamorphic lens project more of what's in front of it in its image circle? Manage Settings If you use Laowa's own OOOM 25-100mm T2.9 or a compatible cine zoom or prime lens you can attach the Rear Anamorphic Adapter to create a 2.35:1 widescreen ratio when using a 16:9 sensor. Like in a Hall of Mirrors, this distorted surface creates a distorted image on the sensor or film. Great cinematographers and photographers, on the other hand, make use of light to create three-dimensional effects. Depth of field is also affected. Many anamorphic lenses are just ordinary spherical lenses with additional glass elements that compress or "anamorphize" the output. Can we have more of these articles, particularly at times of year when there is a dearth of equipment reviews and other stories. There were also constant complaints by filmmakers and studios that US theaters would use underpowered lamps in their projectors to use less electricity and save money, but resulted in dimmer images on the screen. The recorded image measured 5184 pixels wide and 3456 high, as shown in the Image Size window of Photoshop, To find the length that the image needs to be for the subject to look normal you multiple the recorded length by the anamorphic factor - in this case 1.33x, With the width and height dimensions unlinked you just enter the new width dimensions. Although anamorphic and spherical lenses technically have the same depth of field, in practice you have to use a longer focal length with anamorphic in order to achieve the same angle of view. Since rear anamorphic stretches the image vertically 2x then crops (as apposed to front anamorphic that squeezes a wider image onto the frame), what's the difference between cropping an image filmed regularly on a s35 sensor and using a zoom with a rear anamorphic adapter on a digital camera? The difference is, the anamorphic image will need to be de-squeezed, and likely cropped on the horizontal axis to get the desired aspect ratio (usually 2.35 or 2.40). Lens flare and out of focus backgrounds ("bokeh") will appear elongated as opposed to circular (unless the lens has a specially-designed ovular iris). Timed to be an exact duplicate of the answer print.4) Dupe negative(s) generated from the CRI, and shipped to labs around the world. Removing the compression is a simple process, but it can be time-consuming when working with many images. Our college auditorium screened "Reflections in a Golden Eye" with Liz Taylor without the anamorphic projection lens. 1 Shouldn't the comments be about photographs, not movies? chosen as the front two elements, with the whole lens being divided into two parts, namely a front part that needs to be carefully aligned in azimuth and a rotationally symmetric rear part. Yet many serious movie makers prefer manual video focus anyway. Three step-down rings (67mm, 72mm, 77mm) and one step-up ring (92mm) are offered for more flexible compatibility. That link with the atmosphere of serious filmmaking is why anamorphic photography is so attractive to amateur and professional filmmaker alike, as it can lift production value in the eyes of the audience (or client), and elevate the filmmaker from the throng of video-makers shooting 16:9 or 4:3 on lower-end equipment. With the camera in its Anamorphic Mode the 4:3 sensor-captured image de-squeezes to make a 2.66:1 CinemaScope format picture. The aspect ratio complements the anamorphic lens s 1.33x magnification. . The OOOM accounts for this by having a button to change the markings on the lens to match the new ranges with the adapter in use. The bokeh on lenses with rear anamorphs is more rectangular. I hate this articleevery time I watch a film on TV, I see weird bokeh & blue light & I know where it comes from. If there is such a visual difference according to where the anamorphic element is placed, it seems that a set of anamorphic primes (front) may have problems truly matching the zoom (rear), even if the two are colorand performance matched. Widescreen really starts at 2.35:1 and 2.39:1 with moderate anamorphic lenses, and 2.66:1 provides a really long and thin widescreen format. They are huge. Anamorphic films became more popular in the early 1950s with the process re-energized to provide an exciting alternative to the almost-square format of television. Flare drives me nuts. Unfortunately, those are tough to make. The people up in arms about this topic are kind of hilarious. In this digital age, filmmakers can use whatever format suits them, though there is some value in sticking to an established ratio just for familiarity and what it might mean to the audience. Unlike some other lenses, it captures this footage without overlaying There is less choice between anamorphic lenses. Anything blurry?? Its an interesting and different take on anamorphic imaging. Add to Wish List. In fact the anamorphic element does nothing to the vertical and turns the horizontal into a wider angle lens. In fact, all out-of-focus details are reproduced with an elongated shape that exaggerates the degree to which things are out of focus. Some cameras, like the Panasonic Lumix GH5 and GH5s offer a specific Anamorphic mode that allows the whole 4:3 sensor area to be used to record the footage. Anamorphic lenses have played various roles as capture has transitioned from film to digital. Venus Optics states that while the 1.33x Rear Anamorphic Adapter does not create oval bokeh or expand the horizontal field of view as front anamorphics do, it does introduce cinematic characteristics to spherical lenses and creates a distinctive look in flares and bokeh. The other route would be to use a 2X anamorphic lens, in which case the sides of the frame would need to be cropped, and only 61% of the pixels would be preserved. Numerous movies were made is this classic format. They also dont create the close-up distortion typical wide-angle lenses do. We're looking at around three/a few hundred dollars" Am I understanding it right? 21:## monitors and tv's, but the market doesn't like them, practically none sold.